In 1934, architect Genia Averbuch won a competition for the design of a municipal plaza in Tel Aviv. Averbuch, who immigrated from Russia with her family at the age of two, had already collaborated on a number of Tel Aviv projects.
This one – Dizengoff Circle – was destined to become the new city’s leading public park. It was modern for the times, and charming, and I remember it well. For it was here, in 1968, that I met the handsome paratrooper I was destined to marry.
Since Dizengoff Circle was transformed into a hideous, cement covered plaza a few years later, I was delighted to come face to face with a giant blow-up of the original park on a recent visit to the Israel Museum. In fact, it is the first photo you see when you enter the foyer of the museum’s newest exhibit: Modern Architecture in British Mandate Palestine, inspired by extensive research carried out by architects Ada Karmi-Melamede and Dan Price, authors of a book on the subject.
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