I WAS born in Manchester. We took rain all the year round for granted. I never made the connection between Sukkot and rain until I went as a teenager to study in Jerusalem in 1958. Of course, I knew about the prayer asking for rain on Shemini Atzeret, the Eighth Day of Assembly, but that was after Sukkot.
No one ever went short of water in my rain-sodden English countryside. And whenever I thought of Jerusalem, I envisaged a city in the words of poet William Blake, in “England’s green and pleasant land.” It wasn’t until I actually got there climbing up through the dusty, yellowy- brown ceramic hills, in burning heat to its dry summer streets, the old wells in the courtyards of Mea She’arim, that I realized how crucial water was to Israel, Jerusalem and Sukkot.
The sukka symbolized to me the impermanence of life. But in the cold English autumn, we didn’t sleep in it and rarely ate complete meals there because of the perpetual rains. The arba’a minim (the Four Species) arrived in boxes imported through a central supplier. They represented an abstract idea of humanity; the spine, the mouth, the eyes and the heart. Holding them, shaking, rustling the palms was a wonderful sensual experience that brought us closer to nature. It focused on the smells, sounds, touches and tastes that we normally took for granted. But the atmosphere was always damp and out of place.
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