The Israel Museum is now presenting an excellent exhibit called “Maimonides: A Legacy in Script.” It features some magnificent illuminated manuscripts gathered together from museums all over the world as well as displays that explain the work and significance of Moshe ben Maimon, the Rambam. It is well worth a visit and also offers an accompanying book that contains valuable insights into his importance.
Visiting that exhibit I was impressed by the beauty of these manuscripts. Their uniqueness to my mind was in the fact that these illustrations and decorations, obviously the result of someone’s decision centuries ago to spend enormous sums upon the creation of these works of art, were lavished not on Biblical texts, prayerbooks or other belle letters, but on the Mishneh Torah, a book of laws. Legal codes are not usually turned into works of art. I have never seen an illuminated manuscript of the Mishnah or the Talmud, for example, or of the Shulhan Arukh. If they exist I am not aware of them. Yet more than one wealthy medieval connoisseur saw fit to spend a fortune on these collections of Jewish Law. I can only assume that this is a reflection of the great esteem in which Maimonides was held by some. I say ‘some’ because there were also those who strenuously objected to his teachings and the reasons for that are not difficult to understand. Maimonides was truly a radical thinker.
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