WHEN IT was first published, 50 years ago this autumn, it was hailed as a masterpiece of Holocaust literature.
Elie Wiesel declared it “one of the best… Written with deep sincerity and sensitivity.”
For Richard Kluger it was “literally staggering… one of the most powerful books I have ever read.” Jonathan Yardley gushed, “Of all the remarkable fiction that emerged from World War II, nothing stands higher than Jerzy Kosinski’s ‘The Painted Bird.’ A magnificent work of art…” The novel would go on to sell over three million copies. It garnered prizes, was translated into more than 30 languages, and a half-century later remains in print and in audio and e-book formats. A film version of the novel is reportedly in the works by Czech director Vaclav Marhoul.
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