Natale Portman's 'Lady in the Lake' focuses on painting equally rich portraits of Black and Jewish Baltimore of the mid-1960s.
Though Judaism may not have been Rosenthal’s primary motivating factor, the concentration camp scene in the series finale — which Orloff said actually happened — lays bare that the weight of fighting
Masters of the Air focuses on four airmen, and unfortunately the development of these characters doesn’t match up to the level of the excitingly filmed dogfights.
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